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http://dlvr.it/QtD5QW
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http://dlvr.it/QtD5PR
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Photo by John Bulmer, 1964. http://dlvr.it/QtD5L2

Photo by John Bulmer, 1964. http://dlvr.it/QtD5L2

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TIPTON AT DAWN, BLACK COUNTRY, WINTER 1960-1961, John Bulmer http://dlvr.it/Qt8rLW

TIPTON AT DAWN, BLACK COUNTRY, WINTER 1960-1961, John Bulmer http://dlvr.it/Qt8rLW

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John Bulmer - Manchester http://dlvr.it/Qt8rHl

John Bulmer - Manchester http://dlvr.it/Qt8rHl

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http://dlvr.it/Qt8rC4
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http://dlvr.it/Qt5BTL
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sнıɴᴇ ʟıκᴇ тнᴇ sтᴀʀs✧ http://dlvr.it/Qt5BQG

sнıɴᴇ ʟıκᴇ тнᴇ sтᴀʀs✧ http://dlvr.it/Qt5BQG

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http://dlvr.it/Qt5BMc
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Ph. by Fred Herzog http://dlvr.it/Qt0fNx

Ph. by Fred Herzog http://dlvr.it/Qt0fNx

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http://dlvr.it/Qt0fJL
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http://dlvr.it/QsfQv8
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wehadfacesthen:
“A Paris street corner in the evening, photo by Fred Stein, 1937
”

wehadfacesthen:

A Paris street corner in the evening, photo by Fred Stein, 1937

(via hotphotography)

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Fred Herzog, J. York Grocery http://dlvr.it/Qsb7W9

Fred Herzog, J. York Grocery http://dlvr.it/Qsb7W9

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I knew Barry Lyndon was a costume piece, but I hoped he’d take it somewhere else. He took it back in time. The use of the zoom lens is interesting, because you’d never think to use a zoom lens in the past. The zoom lens flattens it out like a...

I knew Barry Lyndon was a costume piece, but I hoped he’d take it somewhere else. He took it back in time. The use of the zoom lens is interesting, because you’d never think to use a zoom lens in the past. The zoom lens flattens it out like a 18th-century painting. — Martin Scorsese http://dlvr.it/Qsb7Vc